1. Make a mini-biographyThe easiest way to create a compelling fictional character is to match their life details. Whether it's fantasy adventure or teen fiction books for girls, if you've noticed in literary works, the main characters are well established with small nuances that make them more credible. To do this, you will have to write for each character a kind of biography. You don't have to say their life; it's enough to have a clear cheat sheet of the character's major points. You can add more detail to the character sheet as you progress in writing the story or use it as a guide.
2. Do an interviewThis is a fun exercise that you can do to help you create a concrete and engaging character. You can reconstruct your character's interview, ask them big and small questions, and answer them in a way that the character might. What would help if you were to list your questions, about 10 or 15 so that you would be better prepared to answer them?
You can ask questions such as:
- What's your happiest memory?
- What's the place you'd most like to visit?
- What are your life's greatest regrets?
- What's a hobby that you really like to try?
3. Dating profileThere may seem to be a little bit of this tip, but hear me out. If you've ever tried to create a dating profile for yourself or a friend, you'll know that creating one that's respectable and appealing requires a lot of introspection and self-analysis. So why not apply the technique to your story to create a character? There are many dating sites that you can use as a reference. Make sure you include any information that is included in your profile by a real person. Start with basics such as age, place, occupation, and definition of physics. Then you can also create a short bio about the character you are looking for and the type of partner.
4. Character speechWriting a talk is a great way to find the voice of your character. Knowing their tone, their inflection, or even their specific use of words. It will bring a more thorough and vibrant personality to your character. When you're writing fiction, say girls' teen fiction books, each character needs a compelling backstory and a unique voice tone that translates into words. Remember the character and what they'd be talking about. The educated character may speak differently from a little educated character. The adult will also have a voice distinct from a child's sound. Sometimes, remember where the characters come from and the accent they could use. For example, London accents are different from a New York accent.
5. Do the unexpectedHuman beings are very resistant to change—something Big and unique must happen to them for a character to experience a personal journey that fundamentally changes them. This incident does not have to be in your story, but once you can recognize the shortcomings of your character you can decide what changes are required in the structure of your character.
At the end of A Christmas Carol, Ebenezer Scrooge is a miser. Even for his poor policeman, Bob Cratchit, who can hardly feed his own children, he is isolated from those around him and lacks empathy. Scrooge, however, has been resurrected as an animated character at the end of the novel. What was the incident in his life that inspired the whole eighty? The experience of past, present and future dreams and the first-hand knowledge of how not only his actions influenced him negatively, but also his own personality.
Wrapping It UpEven the quickest, action-driven novels need to attract readers with compelling characters. Of course, if the writers do not understand fully who they are and what drives them first, readers will never get to know a character.
The character creation exercises are a good way to better understand the person you build with stylus and paper (or more likely "fingers and keyboards"). You can also build tools you can draw from during the process of writing.
Only after you have gained a thorough knowledge of your protagonist will there shine a robust, realistic character. In the field of reading, however, there is confusion about what knowledge a writer knows about a character is important or does not apply. While we agree that a writer probably does not need it, we feel you can never know enough about your character, too. We know the number of hairs on his head. What is important is to decide the knowledge that is important to your current story.
“Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations," Ray Bradbury wrote at Zen in the art of writing.