Showing posts with label guest post. Show all posts
Showing posts with label guest post. Show all posts

Tuesday, 21 September 2021

#booklaunch #guestpost: How the Dwarf kept his beard: Adapting a Fairytale to a Novel

So today's the release day for C.O. Bonham's new novel, Runaway Lyrics! Before we take a look at the book itself, here's a guest post from Bonham.


How the Dwarf kept his beard: Adapting a Fairytale to a Novel.

By C.O. Bonham

So the story of Snow White and Rose Red is odd. Here’s the TL;DR:

Snow White and her sister Rose Red live in a house in the forest with their mother. They are very sweet, get along well, and are kind to all the forest creatures.

One Winter night, a bear shows up at their house, and they welcome it in and become friends. He stays until summer, then leaves. The girls miss him, so they head out into the woods to find their gentle bear friend.

The girls meet a dwarf whose beard is snagged in a tree/bush/bramble (It varies). Snow cuts his beard free, even though he tells her not to. (I thought she was kind?)

They meet him again, and his beard is tangled in a fishing line. She cuts the beard again. When she could have just cut the line. (She doesn’t care about other people’s wishes much.)

Then he is carried by an Eagle. They throw rocks at it and it drops him. (Don’t they know they could have killed him?)

Anyway, the dwarf is angry and wants to attack them. (Can you blame him?) But the bear saves them and scares/kills (it varies) the dwarf. It’s okay because the dwarf is the villain for not being grateful. The bear turns into a prince and marries Snow White, and he has a brother who marries Rose Red.

Long story short: Snow White is sweet and kind, but she doesn’t respect the dwarf enough to not cut his beard.

So I thought, how can I make her kinder? And it turned into a weird message. She isn’t super sweet or nice to the dwarf. He is wasting their time and it would be so easy to just cut his beard. But she respects his wishes and finds another solution.

The story kind of snowballed from there. There’s a difference between being kind and being polite. Some of the worst serial killers in history had pleasant manners and friendly personalities.

Some of the rudest people can be very kind. Once, I was on the side of the road. Car after car passed me by. Finally, one stopped. The guy got out, asked what was wrong and then fixed the car for me. (The problem was embarrassingly simple, so no, I won’t tell you what it was.) He didn’t introduce himself, didn’t make small talk, just fixed it, waved off my offer of payment, and left.

He was very kind to stop and fix my car, even if others wouldn’t have called him friendly. In fact, a super friendly man might have set off a ton of red flags that would have made me hesitant to accept his help.

So the moral of the story: Kindness is not equal to politeness.


I looked at all the girls’ encounters with the dwarf and came up with new solutions, and I made Snow a little put out to emphasize my point. Then the hard part came. How to make a novel out of this.

I made the Bear prince kind of gender-swapped Snow White with the evil stepmother thing. I wanted a dragon, and I knew I needed to give the younger prince a bigger role. Then I wrote until all these random elements made sense together.

The younger brother got a name and a personality and then his part in the plot just exploded from there. 

The girls’ each got a motivation, and it turns out that their mother had an excellent reason for living out in the middle of nowhere. 

The main prince is still turned into a bear for no good reason. There is never a good reason for turning people into bears. 

I added Steampunk because every story is better with steampunk.

So ends the tale of a problematic fairytale turned steampunk adventure novel. 

Now go forth and be kind. Even if you can’t be polite while doing it.

***

Runaway Lyrics

What one sister has, she must share with the other . . .

Snow loves music. She has spent her entire life learning, new instruments and memorizing new pieces, only to while away her life in a country manor with only her mother and twin sister as company. If only she could get out on her own and play in front of a real audience.

Rose loves magic. The things she can do with music would amaze her twin sister, but whenever she shows her, Snow quickly forgets as if the event had never happened. If only Rose could get out on her own and work some real magic.

When an airship crashes near their home Snow’s magical abilities awaken. Together the sisters must learn to use their magic, rescue a pair of cursed princes, and discover their own secrets.

Discover the magic of music in this retelling of Snow White and Rose Red.

BUY NOW!

Add on Goodreads

***

Author Bio:

C.O. Bonham is the pen name for a commonly misspelled first name. She loves stories of all kinds, but really likes the ones that are weird, and outside the norm. A certified book geek, when she isn’t writing stories of her own, she is busy reading stories by others. A homeschool graduate with a degree in creative writing, her goal is to create stories that make people think, feel, and have fun. 

Visit www.cobonham.com to read author interviews, book reviews, and to hear about what she’s working on next. 

Sign up for her newsletter to make sure you never miss an update!

Tuesday, 25 February 2020

#guestpost: I’m Ready to Publish My First Book. Now What?

Let’s see if my journey into writing resonates with you. I looked into publishing back in the old days when bookstores existed. I heard advice like, don’t hold back on your first book and save ideas for the sequels--put everything you have into book one and worry about follow up books later. And also, I’d hear about some author who got published and was running against a deadline on a subsequent book, so he just whipped something out to pay the bills, and the one telling this story then chided the author for choosing money over creating real literature. I agreed with both of these opinions. Then later in life it was finally time for me to write. I had a book burning inside me, and a feasible amount of available time to do it.

So I wrote, or rather, learned how to write, as I wrote my first book. I heard a bit in passing about changes in publishing over the years but didn’t look into it deeply for fear of discouraging myself. I enjoyed day-dreaming about sending out my manuscript, and then fielding calls from jealous agents fighting over my story. After four years my book was ready for the presses. I started looking into publishing and found out that not only will publishers not take unsolicited manuscripts, even self-respecting agents won’t take them, other than a couple of exceptions, agents who take them so that you’ll buy their e-book about how to write and submit a proposal.

I was bitching about the publishing industry to a friend and he said to him it seems better now, because back in the day, if you couldn’t get time with an agent, your choices were to either give up, or off yourself like John Kennedy Toole. But nowadays, you could self-publish like Andy Weir and hit it big. I hated that idea because self-publishing meant that I would have to push my books to my friends a la Amway, create a mailing list and social media following when there was nothing yet to follow, and try to B.S. my way into getting ‘influencers’ to take a look at it. But, I knew that my friend was right. I felt like God was leading me in that direction (if you believe in that kind of thing).

When I looked into self-publishing, I found out that not only do I need a throng of followers on social media and in my mailing list (which are also requirements for getting published), but I also needed to write a ‘deep series,’ because Amazon doesn’t want to post ads for suckers with one measly book, because that’s only one potential sale to them, as opposed to a dozen future sales of an author with a deep series. So, the advice went, I should pump out a book every six weeks or so.

The reason there are no good soap operas is the same reason I think this is a bad idea. One day is not enough time to produce a good TV show. One week is the minimum. If anyone can write a good book in six weeks, it’s not me. I suppose if a reader likes formulaic pulp with all the genre tropes, they could be happy with a six-week book. But that’s not why I got into this. I don’t want to be like the allegorical author in the first paragraph. I want to write something that matters and affects people. I’m not in this to quit my job.

Don’t take this as bitching about the system. I agree with my friend that now is the best time to write a book. I have a few ideas for how I could pull this off. Had I known what publishing would look like when it was time for me to publish, I wouldn’t have changed anything about my writing process. I would have been a little more discouraged while I wrote, and I knew that deep down, which is why I didn’t look into it. Now it’s up to me to reverse-engineer market my book, shoving its square peg into the round hole of the market and genres, rather than if I would have looked at what was selling at the beginning, and then ‘written to market.’ I write to a market of one: me. And I don’t mean that I’ll be satisfied if no one likes my book, because I won’t. What I mean is that I wrote the book that I wish existed and didn’t, and am putting my faith in the fact that there are others out there like me wishing this book existed, even though they don’t know it. Like that old question, how much did Steve Jobs spent on marketing? Nothing. Because people don’t know what they want. I do.

---

About the Author

Daniel Westlund is an author and cyber-security engineer, but he wasn’t born that way. First, he was a punk kid and then a punk teenager, before God really got a hold of him. Then there was marriage, an English degree, a missionary stint in India, kids, and a crisis of faith. When he finally got through the faith crisis, he looked down at his belly and found himself pregnant with a book.

Visit his website for more info!


About the Book

He was so close. Professor Mark Eberhart was set to carbon date the Shroud of Turin. He was going to finally find out if this relic was real, and if it could revive his dwindling Christian faith. But the Shroud was stolen right in front of him . . . by thieves who possessed super human powers.

As Mark and journalist Cora Byron attempt to recover the Shroud, and find out why it was stolen, Mark’s faith is blindsided. At the same time he was to test the Shroud, other scientists ran DNA tests on the supposed lost bones of Jesus—tests which proved that these were, in fact, the real bones of Christ.

Get Stolen Shroud now!

p/s free promo happens week of March 2nd!

Monday, 18 November 2019

#guestpost: 5 Exercises to Help You Craft Compelling Fictional Characters

It can be difficult to create a believable and relatable character, but I have a few tips and tricks that you can use to help you create a unique and memorable character.

1. Make a mini-biography

The easiest way to create a compelling fictional character is to match their life details. Whether it's fantasy adventure or teen fiction books for girls, if you've noticed in literary works, the main characters are well established with small nuances that make them more credible. To do this, you will have to write for each character a kind of biography. You don't have to say their life; it's enough to have a clear cheat sheet of the character's major points. You can add more detail to the character sheet as you progress in writing the story or use it as a guide.

2. Do an interview

This is a fun exercise that you can do to help you create a concrete and engaging character. You can reconstruct your character's interview, ask them big and small questions, and answer them in a way that the character might. What would help if you were to list your questions, about 10 or 15 so that you would be better prepared to answer them?
You can ask questions such as: 
  • What's your happiest memory?
  • What's the place you'd most like to visit?
  • What are your life's greatest regrets?
  • What's a hobby that you really like to try?
To help determine the personality of the character, you can mix general questions with very specific ones. Also, you can include questions that will help you imagine the plot of the story you write.

3. Dating profile

There may seem to be a little bit of this tip, but hear me out. If you've ever tried to create a dating profile for yourself or a friend, you'll know that creating one that's respectable and appealing requires a lot of introspection and self-analysis. So why not apply the technique to your story to create a character? There are many dating sites that you can use as a reference. Make sure you include any information that is included in your profile by a real person. Start with basics such as age, place, occupation, and definition of physics. Then you can also create a short bio about the character you are looking for and the type of partner.

4. Character speech

Writing a talk is a great way to find the voice of your character. Knowing their tone, their inflection, or even their specific use of words. It will bring a more thorough and vibrant personality to your character. When you're writing fiction, say girls' teen fiction books, each character needs a compelling backstory and a unique voice tone that translates into words. Remember the character and what they'd be talking about. The educated character may speak differently from a little educated character. The adult will also have a voice distinct from a child's sound. Sometimes, remember where the characters come from and the accent they could use. For example, London accents are different from a New York accent.

5. Do the unexpected

Human beings are very resistant to change—something Big and unique must happen to them for a character to experience a personal journey that fundamentally changes them. This incident does not have to be in your story, but once you can recognize the shortcomings of your character you can decide what changes are required in the structure of your character.

At the end of A Christmas Carol, Ebenezer Scrooge is a miser. Even for his poor policeman, Bob Cratchit, who can hardly feed his own children, he is isolated from those around him and lacks empathy. Scrooge, however, has been resurrected as an animated character at the end of the novel. What was the incident in his life that inspired the whole eighty? The experience of past, present and future dreams and the first-hand knowledge of how not only his actions influenced him negatively, but also his own personality.

Wrapping It Up

Even the quickest, action-driven novels need to attract readers with compelling characters. Of course, if the writers do not understand fully who they are and what drives them first, readers will never get to know a character.

The character creation exercises are a good way to better understand the person you build with stylus and paper (or more likely "fingers and keyboards"). You can also build tools you can draw from during the process of writing.

Only after you have gained a thorough knowledge of your protagonist will there shine a robust, realistic character. In the field of reading, however, there is confusion about what knowledge a writer knows about a character is important or does not apply. While we agree that a writer probably does not need it, we feel you can never know enough about your character, too. We know the number of hairs on his head. What is important is to decide the knowledge that is important to your current story.

“Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations," Ray Bradbury wrote at Zen in the art of writing.

Author Bio:

Eliza Brooks is a passionate blogger who loves to write about travel, books, personality development, lifestyle, productivity, and more. She spends her spare time hiking, camping and reading adventure, fantasy, mystery stories, and young adult fiction books. Everything she talks about ends in books.

Monday, 22 July 2019

#guestpost: Why Writing Poetry is Valuable | Matt Nagin (@mnagin)

When I was 16, I wrote tons of poems. I must have filled up fifty notebooks with random scribblings. One day, completely entranced by my new hobby, I told my mother I wanted to be a writer. She was less than pleased. She goes, ‘Oh Matthew! Become a doctor and you can write prescriptions!’

I still write poems today, at 42 years old. Some say I have a bit of a Peter Pan Complex. I still live in a bachelor pad, I’m unmarried, no kids, still have many of the same habits I developed as a teen. This may be accurate. Not sure. But what I do know is that all these years of writing poetry have been valuable.


Poetry taught me to write better. To trust my voice. To listen. To hear. Poetry made writing fun for me. It filled me with a sense of possibility. It also taught me that the most important rule is to be willing to break them all.

A good poet can write cover letters, novels, screenplays, resumes, grant applications, graduate admissions essays, blog articles, contracts, advertising copy, speeches, you name it. It is insanely valuable. Ok. It’s not being a doctor. But it can enrich your life and help you succeed in a wide range of careers.

Am I sometimes disappointed in book sales? Definitely. But just because my newest book, ‘Feast of Sapphires,’ isn’t a best-seller, doesn’t mean I’m not glad I wrote it.

I’m an actor too. Many of the parts I’ve played, on television for example, have reached millions of homes. Still, if only a handful of people read my poems, it’s more rewarding to me. Because this is something I feel intrinsically connected to, something that feels necessary. I wouldn’t be happy without it.

So, no, you can’t trade poetry on the NYSE (Symbol: PTRY). Venture capitalists aren’t squabbling over every last stanza. Nor is Netflix paying billions to have poets read their work at The Beacon Theater. Still, poetry is insanely valuable. It can save your life. In certain ways, at least, it saved mine.

---

Matt Nagin is a writer, educator, filmmaker, and standup comedian. His poetry has been published in Antigonish Review, Oxford Magazine and The East Bay Review. Kirkus Reviews deemed his first poetry collection, ‘Butterflies Lost Within The Crooked Moonlight,’ ‘powerful verse from a writer of real talent.’ His second collection, ‘Feast of Sapphires,’ reached #12 on the Amazon Best Seller List. Matt has performed standup in seven countries, and acted in numerous film and tv productions. His first short film, Inside Job, won acting and directing awards on the festival circuit. More at mattnagin.com

Thursday, 21 February 2019

#guestpost: C.W. Briar talks about his debut dark fantasy novel, Whispers From the Depths

I’m author C.W. Briar. I have wrestled buffaloes, worked as Jason Momoa’s stunt double, and lied on guest posts for book blogs. One thing that is absolutely true is that my debut dark fantasy novel, Whispers From The Depths, just released.



Describe Whispers From The Depths
I pitched the book in a few ways. I originally described it as Frozen except with less Disney and a lot more Beowulfian horror. A more accurate description would be Beowulf as told by Michael Crichton (and I’m aware that concept already exists in the form of Eaters of the Dead, but let me have this).

During the pitch, I also told my publisher I found new ways to kill people with water.

In this world, the Whisperers are the ones who keep people safe from water spirits. They’ve also been enslaved. Betka is one of the Whisperers, and she’s part of an expedition to free a castle from a water spirit’s attack. She hates and fears the warriors she serves under, but she hopes to rescue her sister from the besieged castle.


What is the magic like?
Whisperers and spirits both have considerable control over water’s forms and flow. They also exert pressure on each other in battles of will. Whisperers can focus that influence through motion and spoken words, but it’s willpower that’s the key.

An everyday battle might involve a spirit flooding a village, trying to drown people, while the Whisperer forces the water back to where it belongs. The battles in the book are significantly fiercer than that, though.


Are there more kinds of magic?
Whispers From The Depths is pretty focused in its scope. There’s a lot more I could have gone into, like the history of the spirits or the origin of the Whisperers’ power. I would love to visit that information in the future. For now, the world is zoomed in on Betka and her grandfather. It’s a story about humans in a world with magic, rather than a story about magic and humans.

That’s my roundabout way of saying there might more to magic in this world, but that information would be revealed as the story expands to different times and places.


What are the themes of the book?
Betka and Asi are Whisperers, both dealing with the same issues, but they approach the problems with different perspectives. A lot of the themes are tied into the things they debate or react to in differing ways. What does it mean to love the world when the world hates you back? How does love really conquer?

Vengeance. Survival. The role of traditions and past/religious wisdom in present turmoil.

Betka faces conflicts with her captors and the water spirit, but she also feels conflicted about her role as a Whisperer and the way she was taught to live.


What kinds of reader would enjoy Whispers From The Depths?
I aim for a balance of the terror of horror with the awe of fantasy. I want to be scary enough for horror fans but adventurous enough for fantasy fans. Good comparisons of that tone are Jurassic Park and Stranger Things.

If you want a medieval fantasy story with an emphasis on suspense, check it out. If you like books that raise moral questions while also entertaining, you’re my kind of reader.

PURCHASE WHISPERS FROM THE DEPTHS FROM:


C.W. Briar writes fantasy that's dark but hopeful, filled with wonder and humor along with the suspense and creepiness. His favorite stories are the ones that make him both smile and perch on the edge of his seat. By day, he works as a systems engineer, testing or even riding on trains, airplanes, and helicopters. At night, when not writing, he prepares fancy dinners and shows off his awesome corgis. He's a graduate of Binghamton University and lives in Upstate NY with his wife, three kids, and secret stashes of chocolate.

Sign up for newsletter exclusives through his website: http://www.cwbriar.com

Social Media Links:
https://www.facebook.com/CWBriar
https://twitter.com/CW_Briar
https://www.instagram.com/cw_briar/

Tuesday, 29 January 2019

#guestpost: Talk about the World of Gryphendale


My name is Lara Lee, and I am the author of three young adult fantasy fiction novels and short stories. My newest book, The Gryphon's Handmaiden, has just come out this week! All my books take place in the world of Gryphendale. The Gryphon's Handmaiden specifically focuses on the palace at Vervain, the country of Samodivas, and the Nomad Desert.

Tell us about Gryphendale!
Gryphendale is the faerie realm that we sometimes call the Seelie kingdom. It is a floating disk-shaped island located in the center of the earth. It has a tiny sun and moon of its own creating both day and night, but time moves differently there. Their stars are just glittering gems on the inside of the earth’s crust reflecting the light of their sun.
In the distant past, faeries and humans lived together, but because of greed and evil schemes, this could not continue. The creator God, the great blue Gryphon, separated the worlds. A person cannot travel through the earth’s crust to get there. Instead, there exist four portals to connect our worlds.
Both sides of this world are inhabited. The top is made up of nine countries ruled together as the single kingdom of Gryphendale. A different race of faerie dominates each country. The Sprites live in tree houses in the tops of the vast forest of Caoneag. The shape-shifting Hiru live in human-like homes scattered throughout Cuelebre. The Gnomes live inside the massive trees of Dwende. The Gryphendale Ocean is the realm of the Merpeople, while the Undine rules the river and a great lake. The Ogres dwell deep in the mountains of Rokurokubi. Aberdour is the country of the industrious Brownie farmers. The Huldra hunt in the forests of Samodivas. They used to own the Dryads as slaves, but once freed, the Dryads now rule the young country of Greenbow in their historic homeland. The Nomad Desert lies outside of these kingdoms and is inhabited by those who want no king.
The underside of their world is called the Shadow of the Gryphon. It is made up of mostly ocean inhabited by nomadic sea-people such as the Kelpies, Selkies, and Merrow. The Nix populates the small land mass on that side. The Guardian of the Oceans rules that realm.
My books and stories all take place in this world about the size of the state of Texas, both past and present. I wander this land often and would love to introduce you to my favorite places. Safe travels!

What dangers should we avoid in Gryphendale?
Many creatures inhabit Gryphendale who have no country of their own. The giant trolls eat all meat no matter the source. The Red Ladies are psychic vampires stealing the life potential of wanders. Deadly animals, thieves, and grumpy Ogres could all cause trouble if a traveler isn't careful, but the people of Gryphendale are friendly to help you out of a bind.

Is there a distinct or unusual type of food or meal that we might be served in Gryphendale?
Humans would recognize most foods, but they do have a lot more purple varieties of crops such as purple berries and purple wheat. They also have a unique, intoxicating drink made from distilled cinnamon which they call tonic. Don't drink it though! It burns human throats.

What types of weaponry or fighting styles are common in Gryphendale?
The various faerie races have their own fighting styles, but most use some kind of sword suited to their strengths. One exception is that the Hiru transform into long serpent-like dragons. Some rare people do use magic. The Adder Warlocks use dark magic to kill, but those who follow the Way of the Gryphon often avoid violence if they can. Rogue wizards and magic creatures also get involved in the battles, but you never know what will happen with them!

What types of vehicles, animals, technology, etc. are used to travel in or to Gryphendale?
To get to Gryphendale from the human world, you would need to use one of the for portals. In Gryphendale, most people walk or swim. They do ride horses, giant salamanders, carriages, wagons, mules, and the odd steam-powered horseless-carriage.



What role, if any, does magic or the supernatural play in the lives of people in Gryphendale?  If there is magic, please give some examples of what it involves or how it’s used.
All was made by the creator God, the great blue Gryphon. All magic comes from Him to sustain the worlds. Seers learn how to pour themselves into the magic potential of each living thing to create good things. Dark magic seeks to steal this magic potential and force it to their will. This is destructive and deadly. All magic and magical creatures were created with abilities to care for the world in unique ways.

What is the political or government structure in Gryphendale? Who is in charge there at the moment, and what kind of leader is he/she?
The governments in of the countries are different, but usually, there is an elected monarch that is often passed down to their children. This varies from country to country. The nine countries then have a unified central goverment with an elected king or queen. At the time of The Gryphon's Handmaiden, both the king and queen were elected and co-rule. This central government works more like the council in the United Nations rather than having as much power as the United States does over each state.

Has anything in your actual life inspired the locations, cultures, etc. in your book?
I grew up in Florida in which I obsessed about mermaids as a child. I never could read enough fairytales.
When my husband and I moved to Scotland for four years, I became emersed in the folklore of Great Britain. Scotland, specifically, has a rich history of faerie stories. I describe inns and taverns for places I visited in Edinburgh and then hills and dirt roads of the countryside. I know exactly how far one can walk in a day because I have done it. Gryphendale was my magical interpretation of my travels.
In the Gryphon's Handmaiden, the country of Samodivas in a mix of Spanish and German culture. This may seem strange, but this my cultural upbringing. I had a Cuban mother and a father of German descent.
The book Laurence of Arabia strongly influenced the Nomad Desert and then my obsession with learning all I could about Petra and the country of Jordan. I still have dreams of visiting there and traveling around on horseback.

What is unique about your newest book?
Prince Timothy and the Brownie, Arthur, travel to the Nomad Desert in search of the Gryphon's Codex to stop the Adder Warlocks from trying to take over the world. Even though I spend a great deal of the first part of the book at the palace at Vervain, my favorite part of the novel is in the desert itself. There they meet a mute run-away slave girl named Tabatha who has more power than they knew was possible. The characters must overcome so much in a few months to accomplish their goal, but most of what they deal with are not magical problems. They have to learn how to survive in the desert, earn money for food, and exist in the culture. By the end of the book, Prince Timothy is barely recognizable. Instead of a spoiled, academic prince, what remains is a strong, tan desert lord.

Author Autobiography:
Lara Lee is the author of the young adult fantasy fiction novels Gryphendale, The Shadow of the Gryphon, and The Gryphon's Handmaiden. She has also had two short stories published, "The Worst Hero Ever" and "Trust Old Juniper." Sometimes, she is also a graphic designer, wife, and mother. After growing up in Florida with her head stuck in various books, she ran away to Oral Roberts University to obtain a Bachelor of Science degree in Graphic Design and a husband. Then, she worked professionally with the children's curriculum publisher, Mentoring Minds in Texas before following her husband on a crazy adventure in Scotland. She has lived in three states and four countries and has visited even more destinations with an insatiable curiosity that shows up in her writing. Currently, she lives in Texas with her husband and two sons who all regularly participate in her misadventures and random schemes.

The Gryphon's Handmaiden comes out January 29th on Amazon!

You can find out more:


Tuesday, 27 November 2018

#guestpost: Why the busiest times are the best times to write by @akooman

If you’re like me, you have to pretty much hire private security to keep yourself from watching reality television, because if you start you can’t stop. Not the self-absorbed-celebrity-does nothing-significant-and-films-themselves-arguing type of reality TV. I mean the shows where creative people have a deadline to make something, with an interesting challenge thrown in for kicks.

Like: Use this ball of string, four rags from a mechanic's shop, and a push-up bra to design a glamorous outfit that an A-list star will wear to the Met Gala. You have three hours.

Or: Here’s a box of locally grown produce (turnips), a can of Spam circa the Vietnam War, and four jelly-filled doughnuts. Make an appetizer that will persuade a Michelin-star chef to hire you as the sous-chef at her new Vegas restaurant. You have twenty-five minutes.

Put a bunch of success-hungry creative people in a room together and give them a timed challenge with limited resources and I’m a fan, no matter if it’s fashion, furniture or fine dining.

It’s amazing to see what people can come up with on a forced timeline. It’s cathartic to see how they handle the pressure cooker of agreed-too but extreme limitations, especially when there’s some prize money and career breakthrough on the line.

If you’re indie anything—musician, writer, artist—you probably know just how mesmerizing it can be to watch such creative feats unfold.

As ridiculous as it may first sound, I think there’s something to be gleaned—besides entertainment and the occasional inspiration—from these creative Guinea pigs: a sobering kind of motivation.

In fact, my busiest times are the best times to write. Now, you might scoff at this premise coming from me, since I’m about to release Book Two in my YA series nine years after releasing Book One. But hear me out, because I stand by my claim.

One of the most productive exercises I have incorporated into my own writing practice and that I use when I lead other writers in workshops is to “force” writing for short moments, with a single rule: write for an entire minute, no matter what.

For some, especially writers with writers’ block, this can feel like cruel and unusual punishment akin to water boarding, but it’s actually a kindness. Once the parameters are clearly established and the stopwatch starts, one minute typically turns into two, then three, even five or more and the resistant writer can’t stop writing.

Boundaries, deadlines, limitations are a kind of grace for any writer.

That’s not to say one can command the best content at any time, simply by summoning a stopwatch and a pad of paper with a pen. Because certain stories must be ready to tell.

That’s the flip-side of the coin that is my own writing practice. I thrive within clear deadlines, but the story I need to tell must also be ready to be told. And there’s mystery to that process for me.

So, I can’t say with one hundred percent certainty why I waited almost a decade to write Book Two. Life got busy (with multiple stage plays, tours, a film, world travel, family, grad school, and a hundred other things) so the project got pushed back. But it also wasn’t ready.

I wrote other things in the meantime and when it was, I set a timeframe. And, on available days I had to write, I sat down to craft the story. Sometimes the writing flowed outside of the set time; sometimes it stopped short.

Then I’d schedule another deadline until the book was complete. Despite “everything else” in my life both professionally and personally, I’ll do the same for Book Three.

For some reason, the busiest times are the best times to write because I’m forced to ensure I carve out time for the thing I love, that refuels me, that I need to do, in the midst of all that’s going on (even when the busy thing is a writing project itself. Because—as an aside—even in the midst of a project, there’s always another story I want to tell and pick away at and find time to simply outline because it’s another opportunity and a kind of reprieve or breath of fresh air from the hard work that the current project requires).

So, my fellow creative, let “busy” fuel your practice. What mesmerizing feats will it force out of you?

##

Andrew Kooman is an award-winning writer and producer with a Master of Arts degree in English from Western University. His critically acclaimed work has been produced around the world and translated into more than 10 languages. A co-owner of the production company Unveil Studios, Andrew writers for the page stage and screen. His new novel Ten Silver Coins: The Battle for Acchora is available November 29, 2018 and is the second book in his YA series.

Website | Facebook | Twitter | Instagram

Get a copy of Ten Silver Coins: The Battle for Achhora

Print Book - As of November 29:
amazon.com (and all regional territories)
IndieBound.org

Ebook:
Amazon Kindle: https://amzn.to/2P6nsgv
Chapters/Indigo (Kobo): https://bit.ly/2qXdY9E
Smashwords: https://bit.ly/2Tw5DHa
Barnes & Noble (Nook): https://bit.ly/2PMkgIg
iTunes (iOS devices): https://apple.co/2S7g42q

Tuesday, 13 November 2018

#guestpost: the Diverse World of the Island of Myste | Randall Allen Dunn

Diversity in stories is a very popular theme today. However, I was planning to write characters with diversity long before it became a trend, because many other writers were doing the same thing before me.

I saw strong examples of diversity in fiction when I was a kid. Television series like Star Trek and Mission: Impossible had very diverse casts that showed various races working together as teammates and equals, who rarely acknowledged the difference in their races. Several other television series highlighted individual races, such as Diff’rent Strokes, All in the Family, The Jeffersons, and 21 Jump Street. I also saw cartoons that featured other races, like Fat Albert and the Cosby Kids, The Amazing Chan and the Chan Clan, and animated portrayals of The Harlem Globetrotters and The Jackson 5.

Diversity in fiction is not really a new concept. It’s simply identified and spotlighted more heavily these days when it occurs. Those shows that portrayed diversity well have inspired me to create stories that present diverse groups in believable and positive ways. Even in high school, I wondered why the lead protagonists in American fiction stories were always white. I determined to write some stories with non-white heroes.

My latest story, The Island of Myste, is a fantasy adventure for middle grade readers, about an adoptive family that is also a mixed family, something which has not been done very often in fiction. We have many stories about heroes who have been adopted, from Superman to Harry Potter, but they typically share or resemble their adoptive parents’ race. The nine-year-old hero of this story, Yumiko Corr, is a Japanese girl who has been adopted by an African-American couple. This causes her some stress because she clearly doesn’t look like her new parents, which gives her an innate sense that she doesn’t truly belong.

My wife and I are white, and we have two African-American children that we have adopted. One of the most heartbreaking things I experienced as an adoptive father was when our one-year-old daughter was comparing her brown-skinned arm to my wife’s, and asked when her skin would start to turn pink. My wife explained to her that we had different skin colors and it would not change, and did not need to change, because she was perfect the way she was.

But I have come to believe that sharing the same race within your family provides a deeper sense of belonging, especially for kids. We all know it shouldn’t feel that way, but children in a mixed family can feel disconnected, even though they know they are fully loved, simply because they look different. In The Island of Myste, Yumiko and her adoptive parents travel to Tokyo to search for her birth mother, so Yumiko can feel a sense of identity, once she knows where she came from. But a freak storm transports them to another dimension, where nothing exists but an enormous island, on which strange creatures called the Nephilim have been trapped for centuries. Like Yumiko, the various individual Nephilim feel disconnected from one another, even though they are all one tribe, created with different roles and abilities. The Centauri (Centaurs) are outstanding archers and woodworkers, while the Taurusors (minotaurs) are overly aggressive iron workers, and the Meral (mermaids) nurture others and help them to see beauty in life.

Unfortunately, the Nephilim were all banished to this dimension for failing to lead and protect mankind, as they were created to do. They were divided even farther when a spoiled human boy, Rodney, recently took over the island, using stolen magic to enslave everyone. Yumiko soon discovers that she’s destined to rescue the Nephilim from Rodney and return them to her own world.

But to do that, she’ll have to teach the Nephilim to work together and have hope again, that they can be restored to their former roles of honor. Just as we need to maintain hope that we can overcome prejudices and stand together as one race.

I’m really looking forward to introducing readers to all the Nephilim tribes, many of which will surprise them but, I hope, will satisfy their expectations for what they have always imagined creatures like centaurs, mermaids, gargoyles, and other fantasy figures to be. Some are introduced in the first book, and more are revealed in Book 2.

There’s a sneak preview at the end of this book for the sequel, Terror on the Island of Myste, which comes out in December. That story introduces some new central characters and Yumiko makes a bold decision that changes everything for the Nephilim. Book 3: Escape from the Island of Myste releases in January, when the Nephilim attempt to escape from King Rodney and the island. There’s also a contest that people can enter, to be named as a Nephilim in the final book. To enter, people can link to my website to learn how to create their own Nephilim name, here: http://www.randallallendunn.com/2018/10/17/learn-your-nephilim-name-for-the-escape-from-the-island-of-myste-contest/

All you have to do is choose which Nephilim you want to be, then follow the naming pattern to turn your own name into a Nephilim name. You can become a fairy, gargoyle, minotaur, or whatever you want.

Once you have your name, just email it to me at Randall@RandallAllenDunn.com, with a contact address for you or your parents. If you have trouble creating your name, email me your name and I can send you your Nephilim name in 2-3 days.

Then I’ll add your Nephilim name to a page where you can ask people to vote for your Nephilim name. https://docs.google.com/forms/d/1Q4Uq0xkqx6es95DhDwJkuqdKgdQKoJVJf_MBxCOR9Bg/viewform?edit_requested=true

The top 3 voted names by midnight of December 31st, 2018, will be published in Escape from the Island of Myste!

Meanwhile, Book 1: The Island of Myste, is now available for pre-order and will launch this Friday, November 16th!

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Despite 900 years of Jedi training, Randall Allen Dunn was rejected as Defense Against the Dark Arts professor at Hogwarts. He later used his Lunar gifts to become a volunteer Watcher guiding future writers and Vampire Slayers, until the Sorting Hat placed him in the YA ThrillerWriter faction. He now writes action thrillers that read like blockbuster movies, packed with action, adventure, and infinite possibility.

You can contact him by using the Force or by email:
Randall@RandallAllenDunn.com


Tuesday, 23 October 2018

#GuestPost: Why I Write: Marvelous Misfits and Heroic Outcasts by Janeen Ippolito



A faithless, flirtatious man with a family he forgot. A rejected woman still bearing the shame and suspicion from abuse she suffered as a child. A refugee queen fighting for her people, even when those people rebel and undermine her in front of her host country’s leadership. An assassin from a pacifist culture who harbors an isolating secret beneath his physician exterior.

In case you can’t tell, I love my misfits and outcasts. In fact, until a main or supporting character is in some way dealing with a hard issue or a problem, I have no idea how to write them. I’m just waiting for a reader to ask “where are your happy characters already?” And possibly, “why don’t you fix everything by the end?”

But the hard, scarring truths of situations are more compelling to me, and I consider them some of the most realistic parts of my fantasy fiction. We all carry burdens and scars from our past. Because of the inherent difficulties of this world, even someone with a seemingly perfect life has undergone situations that have impacted them in ways that cannot be altered.

I know I have. My own difficulties drove me to study and understand people in order to make sense of my own life. In college, I studied anthropology, cultures, reconciliation, history. So much beauty—and so much darkness. It is so easy to get overwhelmed by the turmoil in the world. But those things are part of life, and I recast those hard realities in my fiction to hopefully build empathy and understanding.


In each and every character I write, I pour hardship. And then I pour hope and humor and whistling in the darkness. Because there is beauty in facing that brokenness and choosing to love anyway.  Choosing to forgive and stand up against injustice with grace and compassion. Clinging to faith and belief even when it seems impossible.

Plus, jokes in the face of grief is one of my personal coping mechanisms. Laughing until you cry or crying until you have to laugh. Either way, humor is part of the rhythm of life and a great gift from God in the face of adversity. So I write characters who try to walk to that rhythm, who wear their scars as beauty from ashes, and who understand or come to understand that they aren’t just misfits—they are marvelous. Imperfect and marred, but beloved. There is hope in their future.

The Ironfire Legacy series seeks the balance between the tragedy and the joy, as do all of my stories. Sometimes my books drift a bit darker, sometimes they favor a lighter tone. And yes, my situations for my characters are a little larger than life, because that’s what makes fantasy fun.

But at all times, I hope readers will see in my stories and characters that no one is beyond grace—or giving grace. That even the most misfit or outcast individual is alive for a reason. And that they are marvelous. No matter what scars they carry on the surface or underneath.

About Janeen:
Janeen Ippolito believes words transform worlds. She creates writing resources and writes steampunk fantasy. She’s also an experienced teacher, editor, author coach, and the editor in chief of Uncommon Universes Press. In her spare time, she enjoys sword-fighting, reading, food, and making brownie batter.
Two of her goals are eating fried tarantulas and traveling to Antarctica. This extroverted writer loves getting connected, so find her on Twitter, Facebook, Instagram, and at her website: janeenippolito.com




About the Book

One wild night, Shance Windkeeper discovers he is married to a death unicorn.

But that’s the least of his troubles.

As an agent for the Lawless, Shance is working with dragonshifters Kesia Ironfire and Zephryn Nightstalker, trying to end the dragon-human war and the organization that masterminded it. While on a mission in the Scepter of Knowledge, the Lawless is hit with a devastating death unicorn attack.

Out of the wreckage new allies emerge: Lirome Ukerys, and his twin sister Maira, the death unicorn queen—Shance’s long-lost wife.

Recently freed from captivity, Maira is fighting to regain control of her herd. Lurien Alistil, a rogue death unicorn, has bespelled the Scepter of Knowledge and taken Maira’s son. When Kesia unexpectedly challenges Lurien to a public debate, the Lawless has a chance to break the usurper’s hold. To obtain vital information they must infiltrate her lair—and as the husband of the death unicorn queen, Shance Windkeeper is the perfect prize to go in.

But Lurien’s power is stronger and more insidious than they realize. And if the final pieces of her plan fall into place, not even Shance’s newfound Talents and knowledge will be enough to stop her.

A steampunk fantasy adventure with much intrigue, unexpected romance, sudden tragedy, and a snarky cat-dragon.


Thursday, 4 October 2018

#GuestPost: Finding Ways to #SHINEBeyond by Ralene Burke

People often ask me why I chose the tagline #SHINEBeyond. What does it mean? Where did it come from? How does it relate to what you do? These are all great questions, and I love discussing the answers because that IS exactly why I chose this tagline (which also happens to be a hashtag).

My life did not start out easy. I was born with a tumor in my neck. Even with surgery, the doctors only gave me a 50% chance of living, and, if I did live, I would most likely be so physically/mentally handicapped, I would need care for the rest of my life. Here I am, so many years later, and aside from a few minor physical disabilities, you wouldn’t even know how close to death I had come.

Growing up, I was different. I couldn’t do some of the sports and gym activities the other kids could do. I spoke softly, and kids mistook that for weakness and tried to take advantage of it. Yet, I never let them change me, never let them get so far into my head that I lost track of what was important.

I grew up, got married, had kids…and I live a fairly normal life. Except I’m not normal. I am uniquely called to a unique purpose. One that only I can fulfill. (And it’s not just me. Everyone is called to a unique purpose.) There are plenty of things in my life that try to hold me back from that purpose: my health, naysayers, my own doubt, money, fear…the list goes on. But I persevere because it is what I was called to do.

I am a wife to a disabled veteran.

I am a homeschool mom to our 3 kids.

I am a fantasy author with stories to tell.

And I choose to #SHINEBeyond my circumstances, my past, my disabilities, and whatever else stands in the way of my purpose in order to be the light I have been called to be.

In Armor of Aletheia, that’s exactly what Karina, the main character, faces as well. She’s had a tough past: daughter of a traitor, orphaned twice, and now she’s being charged with murder. (What? Well, you’ll have to read the book.) Still, she’s been chosen for a sacred task. She has to decide whether or not she can #SHINEBeyond HER circumstances, HER past, and everything else that stands in her way in order to accomplish the mission before her. If she can’t, her world will be doomed.

Any life has its share of storms, some more than others, but they all have them. It’s how we weather those storms, and what we do with the outcome of those storms, that really says who we are. Choose to #SHINEBeyond. Choose to be a light.

A world in danger. A queen betrayed. A bounty hunter bent on revenge. You can find out more about my newest release, Armor of Aletheia, on Amazon!

About the Author:
Whether she’s wielding a fantasy writer’s pen, a social media wand, or a freelance editor’s sword, Ralene Burke always has her head in some dreamer’s world. And her goal is to help everyone SHINE BEYOND their circumstances! Her novels, Bellanok and Armor of Aletheia are available on Amazon.

When her head’s not in the publishing world, she is wife to a veteran and homeschooling mama to their three kids. Her Pinterest board would have you believe she is a master chef, excellent seamstress, and all around crafty diva. If she only had the time . . .

You can also find her on Facebook, Instagram, Twitter, or at her website.

Bonus! Anna's review Of Armor of Aletheia


Armor of AletheiaArmor of Aletheia by Ralene Burke
My rating: 4 of 5 stars

In a classic coming-of-age style fantasy, Karina inherits the throne at the same time as a mysterious angelic-like being sends her on a quest to retrieve the "Armor of the Creator. Six sacred relics divided among the three kingdoms." Dogged by death and murder, Karina is thrust on the quest--where she's kidnapped by a bleeding heart mercenary, meets an evil warlock, and discovers a hidden gift.

Filled with lupens, elves, dragons, goblins, and other exotic creatures, Armor of Alethia is packed with action and magic. That comes with a downside too--the novel felt a little too dense at points. Where a few devastating setbacks often move a story forward and keep you tense, AoA reached a point where I started to get numb from all the setbacks and twists Karina faced in her bid to retrieve the armour.

At its core, AoA is a battle of good vs evil with a very Christian viewpoint, where redemption is offered to each and every participant. Karina and Tristan must learn not to trust themselves, but listen instead for the Creator's voice. Exploring the theme of the armour of God in Ephesians 6, Burke covers Faith and Truth in this one, leaving Righteousness, Peace, Salvation and the Word/Spirit. I'm intrigued to know how she'll deal with those in the next two books!

Note: I received a digital copy of this book from the author as part of a blog tour. I was given the book with no expectation of a positive review and the review is my own.

View all my reviews

Thursday, 27 September 2018

#guestpost: Making Choices by @AuthorDGLamb

Over the years, I have become particularly fond of the saying, “You can lead a horse to water, but you can’t make it drink.” Not only does it blend in well with the Old West motif of Arizona (where I live), but the words are useful in reminding me of my limitations as a psychotherapist. On an even more fundamental level, this truism reminds me that true power for change always lies within the horse. To simplify the point: everyone has the ability to choose.

This idea was driven home to me when I studied the philosophical psychology of Victor E Frankl. He wrote Man’s Search for Meaning in 1946, after surviving the horrors of Auschwitz. It was his observation that prisoners who held onto some meaning of life would survive much longer than those who had not found an answer to the question, “Why am I here?” He later developed this epiphany into a psychotherapeutic approach called logotherapy. However, what impacted me most profoundly was the fact that even in such an utterly forlorn environment where life and death daily danced on the razor's edge, people could make choices.

This realization informed the development of a central theme for Joshua (central character in my Driven to the Hilt series) - that he has choices before him. Even when events outside his control seem to have stripped away almost all of his options, he can still trust others, much to his mother’s amazement. After his father is killed, he and his mother are subjected to societal scorn, gradually forced to more and more destitute areas of New Cincinnati, until they are literally living next to The Swamp, but they chose to cherish each other. They also have hope, striving to save enough to start a restaurant, and this external goal is the meaning that keeps their lives going despite their circumstances. Both Joshua and his mother chose to draw strength from the motto of his father’s Space Merchant Marine Unit - Resolute.

The threads of this theme are also woven into the story after Joshua is on his own and must choose for himself. But that is not strictly true, since his choices are informed by what he has been taught by his parents. For example, his mother assigns Joshua an essay on the Machiavellian concept, the ends justify the means. This may seem too cerebral for an 11-year-old child, but Rachel expected much from her students and even more from her son. The level of this assignment was intended to be an indirect reference to Joshua’s intellectual capacity, but it also lays a foundation for future choices, one of which will cause Joshua a great deal of pain.

As smart as Joshua is, he is also young and alone when he sees no choice but to eliminate Uncle William. True, he has firsthand evidence that Uncle William cannot be bought off or otherwise negotiated with, that the man holds dear the thought of retribution upon the boy who scarred his face. Also, he is alone and with limited resources. But is he really? He had been resourceful enough to survive The Swamp, one might claim, thrive in the deadly environment. At least Joshua will wonder about this and long second guess whether he really had no other choices.

Ah, there we are again. Choices. He made a clear choice with Uncle William. But when later faced with the choice of stabbing Blondie in the back, he refrained. Even though the Bloodstar gangster was a more immediate threat to his life. His prior choice with Uncle William informed his later choice with Blondie. And finally, while he reconciled himself to death at the end of the chase by Fenster, Joshua did not surrender. He chose to remain Resolute.

So, the next time you are led to water, be sure to weigh all the relevant information, but whatever you decide, make it a mindful choice.

DG Lamb

About DG Lamb:
D G Lamb is a board certified clinical neuropsychologist. His day job involves helping people to become more independent after some type of neurological injury. In addition to a doctorate in Clinical Psychology, he has a Master’s in Art Therapy. He has also worked with law enforcement officers to deal with PTSD after critical incidents. While recovering from prostate cancer surgery, his son suggested he try his hand at creative writing. Although his professional experiences certainly informed aspects of this story, he also drew upon his love of cooking and backpacking the mountain trails of Arizona (where unlike Cypress Grove, it rarely rains).



Check out DG Lamb's website (or click the picture above) for more information on the blog tour plus giveaway!

Driven to the Hilt: The Deepest Cut
Young Joshua finds himself trapped outside the mining colony on the planet Cypress Grove. He faces a dark rainforest infested with a creature so deadly, it has kept all humans confined to their only settlement for decades. If he can manage to survive there, he will then have to brave the even darker dangers of the colony’s criminal
underworld.

It’s a fight for survival, a premature coming of age in an environment demanding resiliency, inventiveness, and self-reliance. But when teetering on the sharp edge of stark choices, can Joshua afford to consider right and wrong, or does expediency rule the day?

Debut author DG Lamb, a clinical neuropsychologist, uses his understanding of posttraumatic stress symptoms to inject psychological authenticity and complexity into Joshua’s personality, creating a damaged, but endearing character.

Purchase on: Amazon | Smashwords

Driven to the Hilt: Forging the Blade
An inscrutable stranger offers him a deal that seems too good to be true. And it is. Joshua soon faces new challenges to survive in a place he had not believed was even real.

Having successfully evaded the colony’s underworld and corrupt police, Joshua finds himself trapped alone in a sterile white room. But it is no ordinary room, changing and shifting in response to his reactions and behaviors. Ultimately, he will have to make a choice… one that will forever change the direction of his life.

DG Lamb creates a dynamic world full of new challenges and lessons for an endearing young hero. Lamb’s extensive experience as a clinical neuropsychologist and his understanding of posttraumatic stress symptoms injects psychological authenticity and complexity into Joshua and a host of engaging new characters.

Purchase on: Amazon | Smashwords



Thursday, 13 September 2018

#guestpost: Character spotlight on Menali from Conviction (The Legacy Chronicles 2)


Ten Fun Facts from Menali





  1. I secretly like Than’s nickname for me, Nali, but I would never admit that to him.
  2. I love teaching and working with the little ones, especially telling them stories from Old Earth.
  3. I barely remember my real parents.
  4. I was named after my grandmother, who was named after her great-grandmother. It’s a name that dates back to Old Earth.
  5. I’m very neat. I like to have a place for everything and have everything in its place. One of my favourite chores in the school-wing is to sort the supplies.
  6. I’m fascinated by Old Earth history. I used to search the datablocs for any information about our home planet, and I would love to find the missing datablocs to see what’s on them.
  7. I enjoy being alone by the lake, and I have a spot I sneak away to whenever I can.
  8. Sometimes I pretend I live on the cruiser or another planet and make up stories about my life there.
  9. My hair is my favourite feature, and I keep it long because that’s what I remember most about my mother.
  10. I wish I could be braver, like Dee. She’s so reckless, it scares me to even be her friend at times, but she always enjoys life. Don’t tell her I said that, though, or she’ll be impossible to live with.

Author Lauren Salisbury shares a little about Menali, her favourite character:

We all have things in our pasts, right? Issues that stop us from doing what we were meant to do with our lives. Things we try to avoid at all costs so they don’t happen again. I know I do. That’s what I wanted to write about in Conviction—that struggle with accepting heartache and pain, and the way we sometimes hide behind our faith in order to work around having to face it.

I initially thought Menali was the best-adjusted character in the series. She’s quiet and shy, but I assumed that was her personality type, nothing more. But the more I dug into her past, the more trauma and fear I discovered. She has reason to pause when pursued by a man like Than. There are some truths she definitely does not want to face.

Rather than deal with them, she’s built her life around a set of rules that she thinks she can follow to prevent further loss. She’s not truly relying on God in her time of need; she’s using her faith as a shield against living her life. That’s something I think many of us can relate to. We say, “When God wants me to move on, there will be a huge, miraculous sign to show me the way,” when what we mean is, “I don’t want to be hurt again.”

I believe we are sometimes meant to take risks, to be bold in both our faith and our lives, and to follow God’s lead, even into uncharted territory. I hope that’s the message in Conviction, but you’ll have to pick up a copy to see if you agree.

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Can two people with opposing principles overcome their differences to be together?

Than has spent his life ostensibly having fun while secretly fighting for his people’s freedom. A member of the underground resistance, he is only ever serious around his comrades and his family. When an injury forces him to step down from active duty and his reluctant nurse sparks his interest, Than finds himself in uncharted territory. The fascinating woman will have nothing to do with him.

Menali’s past has taught her to keep her head down and trust that God has a reason for allowing the human race to suffer on U’du. When Than explodes into her life, he refuses to take no for an answer and challenges all of her preconceptions. He soon has her re-evaluating her priorities and wondering what life with someone like him would be like.


Get your copy today! 



About the Author
Lauren H Salisbury was an English teacher for sixteen years with an MA in Education. She is now a writer who dabbles with tutoring and lives with her husband and a room full of books in Yorkshire, England. She likes to spend winters abroad, following the sunshine and becoming the seasonal envy of her friends. When she’s not writing, she can be found spending time with family, reading, walking, crafting, or cooking. Courage is her debut novel.

Get in touchWebsite | Facebook | Mailing list

Thursday, 28 September 2017

#Guestpost: Worldbuilding Cultures: Cultivating Sensitivity through Creativity by @Rebekah_Loper

Today, for the final post of what apparently became worldbuilding week, Rebekah Loper talks a little bit about cultures and sensitivity as part of her book launch tour.

Rebekah is a fellow A to Z blogger and Wrimo, who, coincidentally, introduced me to Realm Makers!

Worldbuilding Cultures: Cultivating Sensitivity through Creativity

Last summer, I read an article about fiction readers being more empathetic people than non-readers. There doesn’t seem to be a formal article or study about writers being more empathetic (though many writers are avid readers, so it wouldn’t be a surprise), but I would say that especially for writers of speculative fiction empathy is a necessary skill.

One of the methods I advocate in my book is to look at the world around you, especially climates similar to what you’re worldbuilding, and see what types of cultures developed from them. In this time, when terms like cultural appropriation and white-washing get tossed around frequently (and often justly), it is a fine line to walk.

When cultural inspiration is done inappropriately, it becomes something along the lines of plagiarism – taking something that wasn’t yours and claiming that it was, despite evidence to the contrary.

It’s one thing to take a single aspect of a culture, look at it from a new perspective, and re-build it for your world from there. It’s another matter entirely to take entire existing cultures (and cultural stereotypes) and transplant them into your story – especially for fantasy. Not only is it sloppy writing, but it’s disrespectful.

Culture has so many nuances to it, and especially so when you’re writing about a culture that isn’t yours. That doesn’t mean it’s an impossible task, however – it simply means you need more help than you do when you’re writing something that happens in your own backyard. It means learning how to put on someone else’s shoes, and walking a mile (or one hundred miles) in them, and knowing that it’s probably not ever going to be enough.

It all comes back to empathy – for your readers to be able to step inside another mind, another world, you have to know the nuances of your characters, and that means knowing their culture, whether it’s based on a real culture from our world or it’s one completely made up for your story.

Sometimes it means hours and hours of research and worldbuilding and revisions, and sometimes it means recognizing that you may not the best person to write the story. Most importantly, though, it means learning more about the world around you, whether it ends up in the story you write or not.

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Rebekah Loper loves to create worlds – whether they are magical and fictional, or a productive farm in her suburban backyard where she makes futile attempts to curse Bermuda grass from all existence.

Rebekah lives in Tulsa, Oklahoma with her husband, dog, formerly feral cat, a flock of chickens, and an extensive tea collection. She blogs at rebekahloper.com, and is also a contributing blogger at Fantasy-Faction.com and The Rabid Rainbow Ferret Society (fictionalferrets.wordpress.com).

Blog | Newsletter | Facebook | Goodreads | Instagram | Twitter


About the book:
Worldbuilding is the ultimate act of creation for speculative fiction writers, but how exactly do you worldbuild? You ask 'what if' and use each answer as a springboard to more questions and answers about your fictional world.

In The A-Zs of Worldbuilding, that ‘what if’ process is broken down into 26 themed chapters, covering topics ranging from architecture to zoology. Each chapter includes a corresponding set of guided exercises to help you find the ‘what if’ questions relevant to your story’s world.

Fair warning, though: worldbuilding is addictive. Once you get started, you might never put your pen down again.

Amazon | Apple | Nook | Google Play | Kobo

Get The A-Zs of Worldbuilding ebook for only 99 cents (USD) now through September 30! (Regularly $3.99)

Sign up for Rebekah’s newsletter by September 30 and get a 25% off coupon for The A-Zs of Worldbuilding paperback when you purchase it from RebekahLoper.com or CreateSpace!

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Check out my review HERE!