Wednesday, 22 April 2026

Book Blitz: Sins of the Fire: Purgatorio by Phoenix Ward


Sins of the Fire: Purgatorio
Phoenix Ward
(Sins of the Fire, #2)
Publication date: December 18th 2025
Genres: Fantasy, New Adult, Young Adult

The Church of New Haven extends its reach to those in need, however there are some lost souls that require more direct guidance, as their sins must be met with strong redirection. Thus, Jonah was created. Originally a man named M█████ ████, he contains over two-hundred thousand sinners. Until they reconcile with their offense to God, they are to fast and pray for their salvation for as long as it takes them to realize their folly, and call upon us.

The boy will be saved from the Dragon, even if he must waste away to understand their danger.

Kickstarter / Amazon

Sequel to:

Check out the Kickstarter here!!

EXCERPT:

This morning was a reminder that not only was sleep important, but so was waking up before 10am.

Between the heads of bed hair, scruffy clothes and flip-flops, there were black suits, floral dresses and sweet smelling perfume clouding the entrance of the store. Conversations were held in front of the doorway, carts were being pushed around like they were going out of style, and somehow that wasn’t the thing that made us second guess our trip to getting our travel items here. No, that all paled in comparison to the white van-bus with the words “Destiny Baptist Church”, written in Times New Roman on the side.

It wasn’t the church we had a problem with— it was the fact that it was Destiny, a local mega church that made their way through the doors. The same Destiny that would play on my grandmother’s radio, from preaching almost twelve hours of gospel to choirs capable of going seven octaves without any pause for breath. For whatever reason, they were here. Maybe it was some food-based event, or some donation cause, or maybe someone felt the ‘Holy Spirit’ invade them to help out a few families with groceries— either way, it was crowded. Worse yet, the congregants brought their kids too. One wrong turn with a cart and we’d be anointed with oil and made to play the burning bush. Imani and I both shared wary gazed with one another as the chatting church folk mingled with folks that just wanted to get their groceries.

I was the first one to take the initiative, but Imani was quick to hold me back from going too far.

“Hang on, no plan?” She asked, “We’re just going to go in?”

I shrugged, scooting aside as a family of three slipped past us. “Yeah. We just gotta make it through the doors. We’ll probably just grab baskets and split. When we’re done, we’ll meet right by the self-checkout, next to the gift cards.”

Her eyebrows looked like they’d fly away. She released her gentle hold of my arm. “I guess I shoulda known you’d know how to handle yourself, considering the stuff you dealt with.”

“Is it weird to admit that the cult shenanigans actually wilder compared to this?”

Imani sped ahead of me, playfully pushing me out of the way. “Just pray you don’t get lost in here!”

“Ah, pray! Good one.”

The doors opened, our opportunity for a clear entry inside revealed itself. With clergy folk standing by the door, we said our ‘Good mornings’ and kept it moving. Basket procured, we both split up and went our separate ways. I immediately made a beeline to the deli. Three pre-packaged sandwiches were perfect carry-on for the long trip. From there, I shot for the snacks aisle. Chips, protein bars, and those salty peanut butter cracker packages were all loaded up in the basket with haste. I said my ‘hello’s, and my ‘excuse me’s to any passerby, some people greet me, others regard me with a nod.

I wanted to be away from the churchgoers. They didn’t take up the store, but they were too permeated— too mixed in.

Too indistinguishable.

I wanted to pretend that everything was back to normal. That after all of the conflict, the fears, the crying, the fighting, things were safe again. Two months of nothing should have been enough to convince me, but I knew better. Every aisle I walked down, there was a body dressed in black or white—formal clothing or just plain clothes. Without touching Mysherra, I couldn’t tell which was a Havenite and which wasn’t. Even outside of the store, regular people, clerks, judges, beggars, anyone could be a Remnant out to get me, or one to watch me.

I put my hand in my pocket and stood in front of the line of power-drinks. My fingers grazed over the surface of the pen.

The hairs on my neck stood up. Goosebumps bristled along my arms. Piercing spheres of heat sandwiched both sides of my sides.

I didn’t dare turn my head—Peripherals attuned to the presence of two white-robed Remnants on opposite sides of the aisle.

“Kane.”

“I know.”

Slowly, I inched my arm out of my pocket, pen wedged between my fingers. They wouldn’t be able to fight me, not with eyes watching them from the ceiling. They didn’t want their secret to be discovered just as I didn’t.

“Do not acknowledge their presence,” Mysherra spoke to me, “Walk with me down the aisle.”

My legs walked me sideways. I didn’t want my back turned to either one of these things. The power drinks transitioned to the flavored powders. Flavored powders to sparkling sodas. Neither one of the beings made a move.

“Once you get close, fire me.”

Senses were screaming at me to run or fight the closer I got to the remnant. My heart was thudding against my ribs.

“Just a little closer.”

Light conjured at the tip of the pen. The burning spread along my entire right side.

“Okay, the fires should be quiet enough to—”

“Excuse me.”

Someone bumped against my back, cutting off my focus. “Ah, sorry about th—”

All I did was turn my head. I had seconds, milliseconds, microseconds to process the burgeoning man unlatching his jaw in front of me. Ropes of saliva separated a hollow light at the back of his throat. Flesh, wet, and acrid already surrounded me, sounds of the outside muffled by the remnant’s mouth closing behind me. I must have fired four times— twice to the ribcage roof of the mouth and twice towards the light. Footing vanished, the dark closed in, and the door to the outside slammed shut behind stone teeth.

And I fell.

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Phoenix Ward is an indie black writer, and educator from Philadelphia. He has worked in the field of education for over five years, teaching all grades Mathematics and English. When he’s not writing, he is composing music using Logic Pro X, or tutoring children on subjects they struggle in. Currently, he lives in Philadelphia with his dog and cat.

 An avid world-builder, Phoenix has created many stories from youth to adulthood, but none have captivated him as much as his latest work Sins of the Fire, which combines his passion for storytelling with his deep understanding of human nature. He draws inspiration from the vibrant city life of Philadelphia and his own experiences as an educator, infusing his narratives with authenticity and depth.

In addition to his work as a writer and educator, Phoenix is committed to supporting young creatives in their journeys. He actively encourages students and adults alike to seek a way to create their own stories. Everyone has a message to share, and doing so in story is the best way to do so.

Website / Instagram


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Sins of the Fire: Purgatorio Blitz


Wednesday, 15 April 2026

Review: Dua Darah

 

When a Malay-Chinese Muslim returns to attend his aunt’s Chinese funeral during the COVID lockdown, buried memories and inner conflicts begin to surface — questioning where he truly belongs.

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It's been about two years since I reviewed a theatre show. Have I watched anything in between? Uh... the Internet tells me that the two shows I remember watching but not reviewing were staged before Yam Seng Lah so no, I have apparently not watched a theatre show in two years! 

Anyway, Dua Darah. I caught the 8.30pm show in Penang on Saturday, 11 April 2026 with members of the Ka-Ki Baca group. It has taken me this long to write this review because I have been procrastinating and being generally lazy. 

I don't think I have much to say about the acting side of things - all three performers fit their roles really well. At least, there was nothing I felt really nitpicky about, especially since their accents fit the characters so well (this is the thing that usually bugs me a lot). There's something to be said for the fact that, whilst primarily in Malay, this is a multilingual show. I ended up not reading the surtitles as much as I expected to because Hilyati's (playing the protagonist) enunciation is superbly clear and understandable (I have problems processing Malay slang/patois). The funeral medium (played by Teoh Chee Lin) spoke in a hilariously apt bahasa pasar and Chinese (Hokkien? Maybe? idk—I read the surtitles for those), whilst the Mother (played by Ho Sheau Fung) spoke a very Chinese-accented vernacular English/Manglish/rojak. The only thing that jarred me was when Ho started singing and I thought it was a Chinese song until I stared at the surtitles and realised she was... singing in Malay. Oops.

(Note: Even though the character was played by a woman, I'm going to stick with 'he' pronouns in the review per the synopsis since technically the funeral rites are supposed to be carried out by a male relative.)

The staging was minimalist, and it worked to focus the audience on the actors themselves, with the judicious use of lighting. Scene changes (to indicate the start of a new day) were marked by chanting (both Chinese ritual prayers and Arabic verses/prayers) and reflections in a sort of Greek-chorus type thing, punctuated by choreography. There's probably a better or more technical term to describe it, but I don't have the vocabulary for that. At any rate, I liked it because it solved Auditorium A's problem of not really having a proper backstage for actors to go in and out. So all three of them were onstage for the duration of the show. 

Overall, the show was fascinating—and thought-provoking—but the more I think about it, the more I feel that the ending was a little emotionally flat. There was a build up of sorts, with the thing about the nails. It rises and then it falls, it's really dramatic, and then I am left a little confused about what I'm supposed to take from that. I chalked this down to not actually understanding the significance of the events at the cremation. As I said after the show, I'm not actually Chinese enough for this.  

I connected much more with the Chinese-Malay protagonist, even though I am, as far as I can trace, 100% Chinese. For me, Dua Darah is no so much about racial tension, but about religious conflict or the dilemma of the recently converted—especially when one converts to a monotheistic religion that says performing another religion's rites are a sin in and of itself, no matter how pure your motives are. It can only be framed as a conflict between two bloodlines in Malaysia because of our problem of conflating race and religion here. If you're Malay, you are Muslim. If you're Chinese, you are Buddhist or Taoist. And yet everything the protagonist wrestles with around the funeral rites are things that have come up over and over again in the Chinese Christian community in Malaysia. They even directly mentioned the shared problem of Cheng Beng. I mean, obviously the Christians don't have it as bad—no halal or dressing laws to address—but there's still that tension of what you can and can't do, what you should and shouldn't. Because what's truly cultural and what's religious at this point?

In the end, Dua Darah was, for me, a reflection on the realities of colonialistic religions and how it tears you from your cultural roots in many ways, whether due to mixed blood (there's some unspoken racism to be unpacked there) or just due to conversion. It's recognition of yes, this happens, this happens all the time in various communities. It's an acknowledgement of the dissonance that racial alignment to religion causes in global/multicultural communities. For Christian converts, there's that need to distance yourself from Chinese culture, to become overly Western/White-presenting. For Muslim reverts, there's a need to prove yourself more Malay than the Malays. 

But how do you resolve it? It feels like there should be a middle ground somewhere, to be able to follow the tenets of the religion you now adhere to (or have chosen for yourself) while still honouring and respecting where you come from. The show does not offer any solutions. The aunt is cremated, the protagonist returns home, having completed the rituals for his beloved aunt whilst bearing the guilt of having sinned in doing so—and even if God can forgive him, I'm pretty sure society won't. 

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DUA DARAH

A Drama in Bahasa Melayu by Johan Othman (with English and Chinese surtitles)

Director: Chee Sek Thim

Playwright: Johan Othman

Music Director and Composer: Kang Su Kheng

Choreographer: Teoh Chee Lin

Performers: Hilyati Ramli, Ho Sheau Fung, Teoh Chee Lin.

Producer: Tan Hock Kheng

👉A ZXC Theatre Troupe production.

👉KL venue supported by Five Arts Centre

If you're in KL this weekend, you can catch Dua Darah at Five Arts Centre, GMBB.

 Kuala Lumpur
Date/Time:​
17 & 18 April 2026 @ 8:30pm
18 & 19 April 2026 @ 3:00pm
Venue: Five Arts Centre, 9th floor, GMBB, KL

 Ticketing
Individual Ticket: RM55
Group of Four: RM180

GET TICKETS HERE

Wednesday, 8 April 2026

Book Review: A River From the Sky | Ai Jiang

A River from the Sky (Natural Engines, #2)A River from the Sky by Ai Jiang
My rating: 4 of 5 stars

A River from the Sky picks up right after A Palace Near the Wind. Liu Lufeng is escaping the Palace near Feng with her younger siblings Chuiliu and Changqing, along with Geyser, also known as Exile Song. They are to meet Sangshu in Gear, but an encounter with the rebels disrupts all their plans.

This second novella of the Natural Engines duology is told in two POVs: Lufeng and Sangshu. On one hand, this gives us a deeper perspective of all the things that Lufeng has been completely unaware of. On the other, it makes for another confusing ride - we're not just grappling with the present, we're also having to come to terms with everything Sangshu has gone through in the years since she left Feng.

Where Lufeng had been almost passive, only stirring at last to try to save her younger siblings, Sangshu's story is one of both great ambition and betrayal. Sangshu caught up in all that progress and science seems to offer, only to find that gaining what she wants means giving up other things just as precious to her. These are presented as hard choices in the struggle for survival, and it's just not progress versus tradition, old vs new.

It's progress, but at what cost? Who (not just what) are you willing to sacrifice to get richer and more powerful? And is it truly worth it? But, as with the world we live in, everyone is complicit in the system and breaking away completely may have a higher cost than maintaining the status quo, no matter how terrible the system is.

There's layer upon layer of deception slowly being laid bare, and it should be exhilarating to finally discover what drives this world. And yet... after the build up in A Palace Near the Wind, the reveal here wasn't half as devastating as I was led to believe it would be. I found myself going, "Oh, that's it?"

Still, it's a gripping tale of surrender and sacrifice, and the desire to make the world a better place, not only for yourselves but for everyone - including your perceived enemies. Ai Jiang points out the interconnectedness of Feng, Glace, Clay, Engine; Wind Walkers and Water Shifters, Cogs and Land Wanderers, Natural Titans. Just like our world, no one place or people truly stands on their own.

Note: I received a digital ARC of this book from Titan Books via NetGalley. Opinions expressed in this review are completely my own.

View all my reviews

Wednesday, 1 April 2026

Book Review: Strange Familiars | Keshe Chow

Strange Familiars (Seamere College, #1)Strange Familiars by Keshe Chow
My rating: 5 of 5 stars

Gwendolynne Chan really needs to make Dux to get that cushy ministry job and help save her family's struggling restaurant. Harrisford Briggs also really needs to make Dux, both because his father expects it, and to provide him an out from working at Magecorp after graduation. The two academic rivals hate the sight of each other... or do they? Either way, they need to work together to figure out the strange magical surges that's causing chaos and threatening their final year exams (and the rest of London).

Strange Familiars was a romp of a read. There's witty banter and snark, academic rivalry with close score-keeping, a grumpy talking cat (and other more exotic familiars), exploding magic, and lots of chemistry.

Chow does especially well in showcasing Gwen's troubles as a second-generation immigrant in the UK - being Manchester-born and raised, and yet expected to know everything about her Chinese ancestry, even rare mythological creatures like the qilin. Gwen deals with both subtle and not-so-subtle racism, plus the problems of being poor and trying to scrape by. She has tremendous drive (and pride), which plays off perfectly against Harrisford's ego.

But whilst Harrisford is rich and proud, he's also rather socially aware, or woke if you want to put it that way. Since Chow also writes in his POV, you get to know the real Harrisford behind the mask that he puts up for the public, getting both the insecurities and blindspots that plague him. And you can't help but like him because he's actually rather earnest and nice. And also rather vulnerable.

At any rate, the TENSION. (Also, reader note: this is firmly very New Adult, so there is on-page sex.)

Before you think this is just a romance, there ARE a lot of things going on in the background - magical surges, political intrigue, government coverups, and exploitation, all in the name of keeping the magic (and the money) flowing. Both mystery and romance have their parts to play and they feel perfectly balanced in drawing me further and further into the story.

I kinda missed this was a duology when I picked it up, so when I got to the end I was like no, nooo why? Oh, there's book 2. So. Now I gotta wait for book 2 *sobs*

Note: I received a digital ARC of this book from Ace via NetGalley. Opinions expressed in this review are completely my own.

View all my reviews

Wednesday, 11 March 2026

Book review: Death Bringer | Sonia Tagliareni

Deathbringer (Deathbringer, #1)Deathbringer by Sonia Tagliareni
My rating: 5 of 5 stars

Viola Corvi hates her magic. The death magic has only ever taken from her - her father, her grandmother, and now her sister. Sylas Ronin, a poison mage, also hates death magic - for taking his mother from them. And then the two are thrown together in Gorhail Institute of Magic and must learn to work together if they are to achieve their goal - to find and stop the serial killer who's coming after Viola.

Despite the academia setting, Deathbringer is more enemies-to-lovers than academic rivalry. Besides Lyria's desperate attempt to master lifedrain theory, there is little actual studying going on in the book; everyone's too busy panicking when students start turning up dead. Besides, Viola is adamantly refusing to actually learn anything about magic, even if it will eventually help her, whilst Sylas is pretty much an insufferable, reckless, know-it-all with anger issues. Okay, both of them have anger issues, but Viola is just a smidge better at using her anger to further her goals.

Tagliareni is deft with her knife, whether it's the twisty murders that keep happening or the devastating secrets that stab like a knife to the gut. To be honest, there are (a lot of) times where Sylas' bullheaded recklessness makes me want to slap him, but Tagliareni layers on the emotions and the painful backstory so well that it often feels forgivable or, at the least, understandable. The dual POVs work exceptionally well for this - giving readers both sides of the story, so to speak, and presenting a sympathetic point of contact/information for both rival houses instead of making one better than the other. There's no clear "evil" house or strand of magic in this one, even if death magic is often seen as dark and scary.

Loyalty is a theme that's explored with great depth - whether personal loyalty to one's friends and loved ones or loyalty to one's house/magic. Blind loyalty is both encouraged and called out at differing times, but where it's most wrenching is when it's pitted against love. Sylas has to decide whether to act with blind loyalty to the House of Poison, or if his growing love for Viola will force him change his beliefs. Viola has no loyalty to any mage or house, but it's the various loyalties of family, friends, and lovers in the past that has placed her in this current situation - as the one person sought after for her unwanted magic and relic.

Altogether, it's a very tantalisingly twisty dark fantasy. Deathbringer has been one of the most enthralling reads of 2026 so far.

Note: I received a digital ARC of this book from Atria Books via Edelweiss. Opinions expressed in this review are completely my own.

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Monday, 2 March 2026

#MusicMonday: Breathe | Jonny Diaz

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been obsessing with this song lately

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Breathe, just breathe
Come and rest at my feet
And be, just be
Chaos calls but all you really need

Is to take it in fill your lungs
The peace of God that overcomes
Just breathe
So let your weary spirit rest
Lay down what’s good and find what’s best
Just breathe


Wednesday, 25 February 2026

Book review: We Interrupt This Program | Randee Dawn

We Interrupt This ProgramWe Interrupt This Program by Randee Dawn
My rating: 5 of 5 stars

When I saw Randee Dawn's post that We Interrupt This Program was up on NetGalley, I tell you, I clicked that request button so fast. I loved Tune in Tomorrow, and this is another novel in the same magical universe!

The TROPE town of Seaview Haven is breaking down and Finch, an SCN intern, has wrangled an assignment to figure out what's wrong with it - so that he can prove his Unseelieness by dismantling it forever. But Winnie Arrowmaker, Siggy, and Martin are doing their best to prove to him that the town can still be saved. Can it?

We Interrupt This Program is a wild romp into a fantastical world and - at the same time - an insightful look into what it takes to be creative. At times, it feels a little meta - Winnie Arrowmaker is a writer of mysteries, and the Muses are involved - but as the book blurb says, "Winnie and Finch are going to have to tell a Truly Great Tale. Because, as they realize, real power lies not in the stories we watch, but in the stories we tell ourselves."

In this day and age when the great Threads fight of the day is whether it's ok to use AI for covers and for writing, it's validating to read something that's so honest about the struggles of writing something. (I was going to say "something worth reading", but who's the arbiter of what's worth reading? Everything written by humans is worth being read by someone.) And how it feels when your best work still isn't good enough. Will it ever be good enough?

In that same vein, Finch is also struggling to be good enough any anything. He's so convinced that his one Hideous Deformity makes him an Unseelie, despite all other indications, that he's willing to destroy his life and his friendships to prove it. And yet, he's...not really good at being naturally destructive? Neither is he good at being, well, Seelie.

Behind the hilarity and light-heartedness is a thoughtful exploration of how our perceptions of ourselves - and what we think others think of us - affect our behaviour, whether for good or for bad. And how best friends spur us to be the best of ourselves - but can also bring out the worst. And maybe we're not always just one thing, but many, in all our humanness.

Note: I received a digital ARC of this book from Solaris Nova via NetGalley. Opinions expressed in this review are completely my own.

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WE INTERRUPT THIS PROGRAM releases on 3 March! Preorder here (affiliate link)