Warp by Lev Grossman
My rating: 2 of 5 stars
Books like these are why I think I'm a terrible literary fiction reader.
I requested Warp for review because hey, everyone says Lev Grossman's The Magicians and its sequels are really awesome books. Reading the description and the author's note, I did already have in mind that it is *not* a fantasy book and had already adjusted that expectation in my head accordingly. Or so I thought.
Warp is a very meandering story. You're introduced to Hollis, who doesn't know what he wants to do in life. He wanders around places in the USA that I can't immediately place (because I'm not American and my geography sucks, even locally), he and his friends do some marginally criminal things, there's strange narratives that pop up in the story... and then it ends. And I'm like... *tap tap tap* why is my Kindle not responding? Oh. Book completed. What? WHY DOESN'T IT ENDDDDDD
Yeah, so the best I can say is I kinda enjoyed the writing, the little narrative stuff was actually quite amusing, but I don't understand the story.
Maybe I should stick to reading genre. LOL.
Note: I received a free review egalley of Warp from St Martins Press via NetGalley in exchange for an honest review.
View all my reviews
Wednesday, 21 September 2016
Monday, 19 September 2016
#musicmonday: More than Conquerors | Rend Collective
Wednesday, 14 September 2016
#bookreview: Giant Slayers by Jeff Altabef
Giant Slayers by Jeff Altabef
My rating: 2 of 5 stars
To be fair, as fiction, Giant Slayers isn't half bad. It's got all the ingredients of a really exciting story. There's young David, a shepherd boy who's fallen in love with a Princess. There's King Saul, afflicted by demons that he doesn't dare tell anyone about for the sake of keeping his kingdom. And there's Michal, headstrong young princess, who's not content with just accepting the status quo. On the enemy's side, the Witch of Endor is calling on dark powers to assist her in getting revenge against the hated Israelite King. And there's Goliath - strong and beautiful - who is challenging the armies of God.
... I actually did like the characterisations of the Witch (I'm too lazy to look up how to spell her name now) and Goliath, and how the tension is built between the dark power of Molech and the power of God. It's a pretty good story-telling technique, fleshing out the "evil" characters which usually get passing mention. (Well, the Witch is an invention, so obviously she doesn't get ANY mention.)
[NOTE THE REST OF THIS REVIEW IS A THEOLOGICAL/RELIGIOUS RANT, SO IF YOU'RE NOT A CHRISTIAN/NOT INTERESTED IN THEOLOGY, YOU CAN STOP READING HERE. If, however, you are interested in accuracy and canon whilst retelling religious-based stories, do read on.]
Where it fails is as a Biblical retelling. Making God's power overly magical and mystical? Meh, not a favourite of mine but it's been done, not a big issue. Adding in a forbidden romance? Sure, why not? It's canon anyway. I don't know if it started then (it's mentioned only much later), but it could have. Random access to the Ark of the Covenant at King Saul's palace AND King Saul being able to plate it with "tainted gold"? What? Did you not do research? Saul would already be dead. You're not supposed to touch that thing! Painting Samuel the Prophet as an outcast/rebel? Um, well, I suppose it's within the bounds of plausibility; Samuel did not ever see Saul again after rejecting Saul as king, apparently. But recasting David's motivation for facing Goliath as being just to win Michal's hand is pure character assassination. And then forcing him to choose between saving the kingdom or being with the girl of his dreams in some magical time-stopping event?? Eh. No. Just no.
And that's my main gripe.
Biblically, God has rejected Saul as King because he's disobedient to God. There's that whole bit in 1 Samuel 15:22-23 where prophet Samuel scolds Saul:
David was anointed to replace Saul, because "the Lord looks at the heart" (1 Samuel 16:7). He's described in 1 Samuel 16:18 as "...a brave man and a warrior. He speaks well and is a fine-looking man. And the Lord is with him." Which basically means that David is a fervent believer. He's not one of those I'm-just-doing-this-culturally Israelites. If you want to put it in modern terms, he's a practicing Jew. Or, if contextualised, a born-again, church-going, tongue-speaking Christian. He's chosen and anointed because he knows who his God is.
In this story, David has no concept of who God is from the very start. He fights the lion and the bear to save his sister and is "magically" saved by some bizarre white flash of light whose source is unknown. If he were to build that "coming to know God" into the story as it unfolds, fine. Shaky, but fine. Instead, David is crazily impressed WITH HIS OWN SELF AND HIS OWN LUTE PLAYING which summons "birds of light" to fight the "dark snakes" plaguing King Saul. AGAIN, with no concept of God, except something along the vague lines of... "maybe it's God? But I don't know. There's some strange power thing that happens when I play" and "I'm special. Some higher power is saving me for something. Oh wait, yes, that random tatty seer who looks like Samuel says I'm going to be king."
Oh, but randomly, before the battle, he is able to spout stuff about fighting for God and God saving them, even though when he goes to Saul to insist he should fight Goliath, the only thing that's on his mind is "I must do this so I can marry Michal." God wasn't even a consideration. Which is so totally off course, because David's true reaction is one that's more towards righteous anger: "Who is this uncircumcised Philistine that he should defy the armies of the living God?"
And making him steal a horse?? And lie through his teeth?
I usually don't mind minor variations or little tweaks for the story's sake, because that makes a retelling all that more interesting. (There were quite a few of those which I haven't mentioned because eh, who cares.) Humanising Biblical characters with a little bit of doubt and wavering and adding romance is fine. There's room enough in the stories for you to add those, especially when it hasn't been said/inferred/spelled out in any way because you don't know ANY of their thoughts anyway. All you know are their actions and words as written. But changing a fundamental principle of the story? Total character assassination of the main character himself? No. Just no.
Other annoying bit - not so very much theological - is the fact that David, as a shepherd boy, has no fighting skills whatsoever. He literally can't use a sling or a staff to defend himself... which doesn't make sense because he has to protect his flock. This story makes it seem like the one lion and one bear that attacked him was a fluke, and it has never happened before. Yet he boasts of never having lost a sheep. Uh, right. Besides wild animals, there are raiders and bandits and such. I'm sure that even as a shepherd boy he should already have developed some defensive skills, even if he's not depicted as a soldier with sword and armour. (Also note "warrior" description above.)
Ah. I should stop here. To summarise, eh, needs more research.
Note: I received a free digital ARC from the author in exchange for an honest review.
View all my reviews
My rating: 2 of 5 stars
To be fair, as fiction, Giant Slayers isn't half bad. It's got all the ingredients of a really exciting story. There's young David, a shepherd boy who's fallen in love with a Princess. There's King Saul, afflicted by demons that he doesn't dare tell anyone about for the sake of keeping his kingdom. And there's Michal, headstrong young princess, who's not content with just accepting the status quo. On the enemy's side, the Witch of Endor is calling on dark powers to assist her in getting revenge against the hated Israelite King. And there's Goliath - strong and beautiful - who is challenging the armies of God.
... I actually did like the characterisations of the Witch (I'm too lazy to look up how to spell her name now) and Goliath, and how the tension is built between the dark power of Molech and the power of God. It's a pretty good story-telling technique, fleshing out the "evil" characters which usually get passing mention. (Well, the Witch is an invention, so obviously she doesn't get ANY mention.)
[NOTE THE REST OF THIS REVIEW IS A THEOLOGICAL/RELIGIOUS RANT, SO IF YOU'RE NOT A CHRISTIAN/NOT INTERESTED IN THEOLOGY, YOU CAN STOP READING HERE. If, however, you are interested in accuracy and canon whilst retelling religious-based stories, do read on.]
Where it fails is as a Biblical retelling. Making God's power overly magical and mystical? Meh, not a favourite of mine but it's been done, not a big issue. Adding in a forbidden romance? Sure, why not? It's canon anyway. I don't know if it started then (it's mentioned only much later), but it could have. Random access to the Ark of the Covenant at King Saul's palace AND King Saul being able to plate it with "tainted gold"? What? Did you not do research? Saul would already be dead. You're not supposed to touch that thing! Painting Samuel the Prophet as an outcast/rebel? Um, well, I suppose it's within the bounds of plausibility; Samuel did not ever see Saul again after rejecting Saul as king, apparently. But recasting David's motivation for facing Goliath as being just to win Michal's hand is pure character assassination. And then forcing him to choose between saving the kingdom or being with the girl of his dreams in some magical time-stopping event?? Eh. No. Just no.
And that's my main gripe.
Biblically, God has rejected Saul as King because he's disobedient to God. There's that whole bit in 1 Samuel 15:22-23 where prophet Samuel scolds Saul:
“Does the Lord delight in burnt offerings and sacrifices
as much as in obeying the Lord?
To obey is better than sacrifice,
and to heed is better than the fat of rams.
For rebellion is like the sin of divination,
and arrogance like the evil of idolatry.
Because you have rejected the word of the Lord,
he has rejected you as king.”
David was anointed to replace Saul, because "the Lord looks at the heart" (1 Samuel 16:7). He's described in 1 Samuel 16:18 as "...a brave man and a warrior. He speaks well and is a fine-looking man. And the Lord is with him." Which basically means that David is a fervent believer. He's not one of those I'm-just-doing-this-culturally Israelites. If you want to put it in modern terms, he's a practicing Jew. Or, if contextualised, a born-again, church-going, tongue-speaking Christian. He's chosen and anointed because he knows who his God is.
In this story, David has no concept of who God is from the very start. He fights the lion and the bear to save his sister and is "magically" saved by some bizarre white flash of light whose source is unknown. If he were to build that "coming to know God" into the story as it unfolds, fine. Shaky, but fine. Instead, David is crazily impressed WITH HIS OWN SELF AND HIS OWN LUTE PLAYING which summons "birds of light" to fight the "dark snakes" plaguing King Saul. AGAIN, with no concept of God, except something along the vague lines of... "maybe it's God? But I don't know. There's some strange power thing that happens when I play" and "I'm special. Some higher power is saving me for something. Oh wait, yes, that random tatty seer who looks like Samuel says I'm going to be king."
Oh, but randomly, before the battle, he is able to spout stuff about fighting for God and God saving them, even though when he goes to Saul to insist he should fight Goliath, the only thing that's on his mind is "I must do this so I can marry Michal." God wasn't even a consideration. Which is so totally off course, because David's true reaction is one that's more towards righteous anger: "Who is this uncircumcised Philistine that he should defy the armies of the living God?"
And making him steal a horse?? And lie through his teeth?
I usually don't mind minor variations or little tweaks for the story's sake, because that makes a retelling all that more interesting. (There were quite a few of those which I haven't mentioned because eh, who cares.) Humanising Biblical characters with a little bit of doubt and wavering and adding romance is fine. There's room enough in the stories for you to add those, especially when it hasn't been said/inferred/spelled out in any way because you don't know ANY of their thoughts anyway. All you know are their actions and words as written. But changing a fundamental principle of the story? Total character assassination of the main character himself? No. Just no.
Other annoying bit - not so very much theological - is the fact that David, as a shepherd boy, has no fighting skills whatsoever. He literally can't use a sling or a staff to defend himself... which doesn't make sense because he has to protect his flock. This story makes it seem like the one lion and one bear that attacked him was a fluke, and it has never happened before. Yet he boasts of never having lost a sheep. Uh, right. Besides wild animals, there are raiders and bandits and such. I'm sure that even as a shepherd boy he should already have developed some defensive skills, even if he's not depicted as a soldier with sword and armour. (Also note "warrior" description above.)
Ah. I should stop here. To summarise, eh, needs more research.
Note: I received a free digital ARC from the author in exchange for an honest review.
View all my reviews
Monday, 12 September 2016
#musicmonday: Here's My Heart (Cover) | I AM THEY
[because this is an awesome cover]
[and also an awesome song]
Wednesday, 7 September 2016
#bookreview: One World Two: A second global anthology of #shortstories
One World Two: A Second Global Anthology of Short Stories by Aminatta Forna
My rating: 4 of 5 stars
What do I think?
I think that this anthology is way more literary than I'm used to, and way more... coloured as well. The first of which turned out pretty well, considering, and the second of which was quite a deliberate choice. I mean, I did request this book for review solely because it purported to be one of those diverse books.
Diverse in this case, sounding rather black and tribal and refugeeish and war-torn. I am not sure why I expected otherwise. I suppose a pervasive theme in such stories is a sense of identity - who am I when I am not white? - which, I admit - is something I too struggle with. Maybe it's an identity of language. Who am I when I speak the white man's tongue but not my own? How do I exist in-between cultures, where the one I live in will never accept me fully, and the one I have left will never let me go? Am I doomed to always be an immigrant, even if I was born in this land?
There's a dream-like quality to most of these stories; something I've come to associate with literary pieces-presenting you a slice-of-life which is real life but not quite. They're gritty (as death and war and loss tends to be) and yet unreal, as if presented through a fog, a dream, or maybe just through the lenses of remembrance. And we know how unreliable our memories are. They betray us with our child-like innocence and surprise us with youthful resilience and tug at us with that longing just to know and be known.
Ethereal was the word I was looking for. Gritty and ethereal, both at once, as literary works are wont to be.
Note: I received a digital ARC of this book via Edelweiss for review purposes.
View all my reviews
Get your copy now:
My rating: 4 of 5 stars
What do I think?
I think that this anthology is way more literary than I'm used to, and way more... coloured as well. The first of which turned out pretty well, considering, and the second of which was quite a deliberate choice. I mean, I did request this book for review solely because it purported to be one of those diverse books.
Diverse in this case, sounding rather black and tribal and refugeeish and war-torn. I am not sure why I expected otherwise. I suppose a pervasive theme in such stories is a sense of identity - who am I when I am not white? - which, I admit - is something I too struggle with. Maybe it's an identity of language. Who am I when I speak the white man's tongue but not my own? How do I exist in-between cultures, where the one I live in will never accept me fully, and the one I have left will never let me go? Am I doomed to always be an immigrant, even if I was born in this land?
There's a dream-like quality to most of these stories; something I've come to associate with literary pieces-presenting you a slice-of-life which is real life but not quite. They're gritty (as death and war and loss tends to be) and yet unreal, as if presented through a fog, a dream, or maybe just through the lenses of remembrance. And we know how unreliable our memories are. They betray us with our child-like innocence and surprise us with youthful resilience and tug at us with that longing just to know and be known.
Ethereal was the word I was looking for. Gritty and ethereal, both at once, as literary works are wont to be.
Note: I received a digital ARC of this book via Edelweiss for review purposes.
View all my reviews
Get your copy now:
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Monday, 5 September 2016
Friday, 2 September 2016
#bookreview: Moments and Days
So I kind of missed my Wednesday deadline (there was some sending to Kindle snafu I didn't discover until late), but here's my review anyways. Better late than never? Heh.
Moments & Days released on Sept 1. Get it here. (Affiliate link)
Moments & Days: How Our Holy Celebrations Shape Our Faith by Michelle Van Loon
My rating: 4 of 5 stars
In Moments & Days, Michelle Van Loon takes us through celebrations in the Jewish and Christian calendar, highlighting its significance in the past as well as its meaning for the present. All this is presented from the unique lens of a Messianic Jew, tying together the Jewish roots of Christianity to its Gentile, almost secular present.
The material is presented in a very conversational, easy-to-read manner whilst retaining a wealth of historical and Biblical information. I found the Jewish feasts and celebrations interesting, but I was most surprised to find a lot of practices/liturgy in the Christian calendar new to me!
I read through this book much faster than I would have liked (silly self-imposed review deadlines) and I fully intend to study/meditate some of these again more deeply when time allows. (On a selfish note: research for Christmas & Easter programs is partially done. lol!)
Note: I received a digital ARC from the publishers for review purposes via Edelweiss.
View all my reviews
Moments & Days released on Sept 1. Get it here. (Affiliate link)
Moments & Days: How Our Holy Celebrations Shape Our Faith by Michelle Van Loon
My rating: 4 of 5 stars
In Moments & Days, Michelle Van Loon takes us through celebrations in the Jewish and Christian calendar, highlighting its significance in the past as well as its meaning for the present. All this is presented from the unique lens of a Messianic Jew, tying together the Jewish roots of Christianity to its Gentile, almost secular present.
The material is presented in a very conversational, easy-to-read manner whilst retaining a wealth of historical and Biblical information. I found the Jewish feasts and celebrations interesting, but I was most surprised to find a lot of practices/liturgy in the Christian calendar new to me!
I read through this book much faster than I would have liked (silly self-imposed review deadlines) and I fully intend to study/meditate some of these again more deeply when time allows. (On a selfish note: research for Christmas & Easter programs is partially done. lol!)
Note: I received a digital ARC from the publishers for review purposes via Edelweiss.
View all my reviews
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